Member-only story

Schubert, 1835

novalis
2 min readSep 24, 2017

--

It stands open, translucent,

enacting a system of self-mirroring out of

deconstruction: the color of trees, the emotions

of houses, couples stepping out of isolation to apologize. Yes,

the figure in the branches is burnt black by the stars and

the structure of sex, ideation, and memory is

reproduced in the special, maternal todayness of

a hometown (or the frequently repeated

disjunction of love). Having become the person I wanted

to be only makes it more difficult to come

back a second time with the authority of joy.

I used to be able to prize apart the subtler sense of life from

uncomfortable dreams of lovelessness or aging,

but the freshness of human life is caught up in

the occupation of normal living. Real affection means raking

the snow flakes into the gutter for the city to pick up

or listening to the wind race through the windows

in the summer after midnight (as the body

gets tangled up into the heavy circuit of stars)

or throwing a baseball around for hours as

a way of retaining grace, or straining the moon

of fireflies and magic in order to retain only

its most clear, superior light.

Your piano lieder is simply life posited in absolute terms:

something my sister plays when she is in love or

when a single peal of bells nods the neighborhood off

to sleep. I look; I observe the phenomena: the tender

old blossom still clings to the clouds.

--

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